In What We Trust

Six young people set off with a seedling in their backpack. Looking for a place for the young tree and for themselves. How do they deal with the pressure and responsibility for the future that is already being imposed on them? How do they view the ‘climate-changing’ world in which they are growing up?

At the request of the Ghent connecting company LARF!, author Maud Vanhauwaert and filmmaker Bas Van Hoeck captured their quest beautifully on film. The Vlaams Radiokoor and I SOLISTI provide the soundtrack for their search for answers: to the tones of the Mass in E minor by Anton Bruckner and new music by Frederik Neyrinck.

Ultimately, where do we search for meaning in today's world when Christianity no longer provides the answers?

👉 discover the concert series In What We Trust on stage in September and October 2024

in conversation with maud vanhauwaert

In What We Trust delves into the significance of religion and meaning for younger generations. For a long time, God provided answers to our existential questions, such as "Where are we going?" or "What is the purpose of our existence?" Anton Bruckner's music translates this religious faith, with his Mass No. 2 in E minor representing an era where the arts and worldview were heavily influenced by Catholicism. But what happens when the support of religious faith disappears? What does that mean for us as individuals, and for today's youth?

Six teenagers involved with LARF! explored these questions. Together with Vanhauwaert, Van Hoeck and Neyrinck, they reflected on their hopes and beliefs during a three-day walk from Zeeland to Bruges. The journey symbolizes the transition from adolescence to adulthood, as Fran, Joste, Maya, César, Damiaan, and Renée are in the so-called ‘coming-of-age’ phase, full of dreams, ideals, and aspirations. Throughout the journey, they engaged in deep conversations and reflections. “What do you believe in?" of "What are you afraid of?”

Bas Van Hoeck captured the journey and its numerous conversations in a visual documentation, which is incorporated into the final performance. "When working with these young people, I want to give them a voice," says Vanhauwaert. The answers to the questions varied greatly. Some shared that they believe in themselves, "a kind of self-confidence as proof of a radiant enthusiasm," Vanhauwaert explains. Others believed in the goodness or humanity of people, expressing that despite all the misery shown in the news, people are fundamentally good. Vanhauwaert is touched: “They exuded a kind of carefree optimism that I found beautiful and hopeful.” Talk of religion was strikingly absent in the discussions. The belief was focused on the power of humanity rather than divinity. In What We Trust tells the story of these teenagers' worldview, a musical dialogue revealing a faith image from the past and “in what we trust” nowadays.

Info concert